Slavic languages and (generative) phonology

Setting the scene

What counts as phonology?

  • Distributions
  • Allophonic alternations
  • Neutralizing alternations
  • Morphophonology

Distributions and allophony: Bulgarian vowels

Phoneme Stressed Unstressed Alternation
/a/ ˈɡlaven ‘main’ ɡlɐˈva ‘head’ [a] ~ [ɐ]
/ɛ/ ˈvrɛme ‘time.SG’ vremeˈna ‘time.PL’ [ɛ] ~ [e]
/ɔ/ ˈkɔsəm ‘hair’ kosˈmat ‘hairy’ [ɔ] ~ [o]
/i/ ˈtip ‘type’ tiˈpɤt ‘type.DEF’ [i]
/u/ ˈkupʲə ‘buy.PRS.1SG’ kuˈpuvɐm ‘buy.IPFV.PRS.1SG’ [u]
/ə/ ˈɫɤk ‘bow’ ləˈkɤt ‘bow.DEF’ [ɤ] ~ [ə]

Neutralizing alternations: Bulgarian soft consonants

Following vowel Hard Soft
[a] baɫ ‘ball’ bʲaɫ ‘white’
[ɤ] ɡlɐˈsɤt ‘voice.DEF’ ɡlɐˈsʲɤt ‘read.PRS.3PL’
[u] kup ‘pile’ kʲup ‘cauldron’
[ɔ] poˈzɔr ‘shame’ poˈzʲɔr ‘poseur’

Word-finally, only hard consonants are allowed. Many lexical items alternate accordingly.

Word-final Prevocalic Gloss
sɤn səˈnʲɤt ‘dream’
kɔn ˈkɔnʲət ‘horse’
kraɫ ˈkralʲət ‘king’
vaɫ ˈvaɫət ‘rampart’
zvɤn zvəˈnɤt ‘peal’
trɔn ˈtrɔnət ‘throne’

Morphophonological alternations: Bulgarian palatalization

Contrast Neutralization Gloss
bʲaɫa bɛli ‘white.FEM.SG ~ PL’
banʲa bani ‘bath.SG ~ PL’
nʲama nemi ‘mute FEM.SG ~ PL’
zɛmʲa zɛmi ‘earth.SG ~ PL’

Velar consonants neutralize to soft in the same context, with alternations.

Hard Soft Gloss
dəˈɡa dəˈɡʲi ‘arc’
ˈbitka ˈbitkʲi ‘battle’
ˈɔrex ˈɔrexʲi ‘walnut’

But other [i ɛ] suffixes do different things.

Hard Palatalization I Palatalization II
vɤɫk ‘wolf’ ˈvɤɫt͡si ‘PL’ ˈvɤɫt͡ʃi ‘ADJ’
ˈpɔdviɡət ‘feat.DEF’ ˈpɔdvizi ‘PL’ podˈviʒen ‘movable’
siroˈmax ‘pauper’ siroˈmasi ‘PL’ siromɐˈʃija ‘poverty’

Slavic phonology and phonological theory

The beginnings: The Kazan School

  • Credited with developing the phoneme
  • Strong focus on alternations
  • Polish and Russian front and centre

Jan Baudoin de Courtenay

Mikołaj Kruszewski

The St Petersburg (Leningrad) School

  • The phoneme as the minimal unit of lexical contrast
  • Slavic background (wrote his thesis on a Sorbian dialect), focus on Russian

Lev Shcherba

Moscow to Prague: Nikolai Trubetzkoy

Nikolai Trubetzkoy

  • Fully developed structuralist phonological theory
  • Long-standing focus on Russian and Slavic more broadly
  • Strict separation of phonological neutralization and historic alternations

Moscow to Prague to Harvard: Roman Jakobson

  • Close collaborator of Trubetzkoy
  • Early influential work on Slavic within the Prague mould
  • After the war: shift away from analysing relationships within individual systems

Roman Jakobson

The Russian conjugation moment

Russian verbal paradigm: plakat’ ‘to cry’
Infinitive stem Present-tense stem
Infinitive plaka-t’ Present tense 1SG plač-u
Past tense SG.M plaka-l 2SG plač-e-š
SG.F plaka-l-a 3SG plač-e-t
SG.N plaka-l-o 1PL plač-e-m
PL plaka-l-i 2PL plač-e-te
Past participle plaka-vš- 3PL plač-ut
(za)plaka-nn- Imperative 2SG plač
Present participle plač-ušč-

All forms are derived from a single stem by applying a sequence of rewrite rules, notably deletion of a vowel before a vowel and deletion of a consonant before a consonant.

Verb Infinitive stem Present-tense stem
‘cry’ plaka-ti → plakat plaka-u → plaču
‘do’ delaj-ti → delat’ delaj-u → delaju
‘carry’ nes-ti → nesti nes-u → nesu

Riga to Harvard to MIT: Morris Halle

  • Another émigré from Eastern Europe (in this case Latvia), Jakobson’s pupil
  • Earliest work developing the ‘new’ Jakobsonian approach
  • One half of Chomsky & Halle (1968)

Morris Halle

Slavic conjugation

Verb Stem Infinitive PRS.1SG AOR.3SG
‘cut’ rěza- rěza-ti rěža rěza-s → rěza
‘know’ znaj- znaj-ti znaj-ǫ znaj-s → zna
‘lead’ ved- ved-ti → vesti ved-ǫ ved-e-s → vede
‘cook’ pek- pek-ti → pešti pek-ǫ pek-e-s → peče
‘curse’ klьn- klьn-ti → klęti klьn-ǫ klьn-s → klę
‘blow’ dъm- dъm-ti → dǫti dъm-ǫ dъm-s → dǫ

Expanding the scope of phonology

Gloss Word-final Prevocalic Assimilation context Alternation
‘cat’ kɔt kɐˈtˠi kɔd bˠi /t/ ~ /t/ ~ /d/
‘code’ kɔt ˈkɔdˠi kɔd bˠi /t/ ~ /d/ ~ /d/
‘night’ nɔt͡ʃʲ ˈnɔt͡ʃʲi nɔd͡ʒʲ bˠi /t͡ʃʲ/ ~ /t͡ʃʲ/ ~ /t͡ʃʲ/ [d͡ʒʲ]

The big analytical innovation

  • Premise: the grammar consists of rewrite rules
  • Premise: rewrite rules handle historical alternations, live neutralizing alternations, and allophony
  • Premise: rules responsible for allophony manipulate phonological units
  • Conclusion: rewrite rules manipulate phonological units

The classic generative approach to Slavic phonology

For the rest of the week, we will look at some specific examples of how Slavic languages were analysed by generative phonologists from the early 1960s onwards.

  • Large premium on generality and economy
  • Wide empirical scope: aim for a comprehensive analysis of all kinds of patterns within the same system
  • In practice: underlying representations that reproduce earlier historical stage, rules that recap the diachronic development

Diachrony and synchrony

In many ways, this is not really surprising: today’s irregular morphology is often yesterday’s regular sound change, so an economical account that captures all the generalization often is the diachronic one.

This was a feature, not a bug! The fact that underlying representations stuck closely to earlier stages was treated as a discovery: URs changed more slowly than surface representations.

The received analysis

From Slavic phonology to generative phonology

  • Further work on Slavic itself (Halle 1963; Lightner 1963; 1965)
  • Programmatic development of the approach (Halle 1962)
  • Incorporation of links to new syntactic theories through notions like immediate constituency analysis and the cycle (Halle 1963; Lightner 1967)
  • Chomsky & Halle (1968) as the crystallization of the generative approach to phonology

Lightner vs. Modern Standard Russian

Surface vowel Underlying vowel Comment
[i] /ī/
/ū/ Fronting in some contexts
[ɨ] /ū/
[u] /ou/
/eu/ Source of surface [Cʲu]
/oN/ When nasal is syllable-final
[e] /ĕ/ When not → [o] |
/ĭ/ By the Lower rule for yers, when not → [o] |
/ē/ When not alternating with o
[o] /ŏ/
/ŭ/ By the Lower rule for yers
/ĭ ĕ/ When subject to eo |
[a] /ō/
/ē/ In cases like kričat’ ‘shout’ /krīk-ē-tī/
/eN iN/ When nasal is syllable-final; source of surface [Cʲa]

Here are some underlying representations:

SR UR Gloss
žog gĭg-l-ŭ burn-PST-SG.M
žgla gĭg-l-ō burn-PST-SG.F
pisat’ pīs-ō-tī write-INF
pišu pīs-ō-ĕ-m write-PRS.1SG
načat’ nō-kĭn-tī begin.PFV-INF
načnët nō-kĭn-ĕ–t begin.PFV-PRS.1SG
načinat’ nō-kīn-ō-tī begin.IPFV-INF

And here is a real derivation:

  1. Pre-cyclic rule: /(plōt+ī+ī)+m/ → ((plōt+ī+u)+m)
  2. First cycle: (plōt+ī+u) → (plōt+ju) → (plōtʲ+j+u)
  3. Second cycle: (plōtʲ+j+u+m) → (plōtʲ+ū+m) → (plōtʲ+j+ū) → (plōčʲū) → [plačʲu]

References

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